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Springsteen gets folky for ‘Seeger Sessions’

New album, tour features covers of songs made popular by legendary singer

updated 1:07 p.m. ET April 21, 2006

ASBURY PARK, N.J. - Bruce Springsteen, rock 'n' roll icon, stands on a cramped Jersey shore stage surrounded by 16 musicians. There's a fiddle, a banjo, a tuba, an accordion — and not a single electric guitar.

The music swells, a glorious noise, as Springsteen leans into the microphone and sings a familiar song: "He floats through the air with the greatest of ease, the daring young man on the flying trapeze."

The vintage tale of a high-flying, womanizing circus star is followed by "Poor Man," a reworking of a Blind Alfred Reed song from the 1920s. This is the music of the moment for Springsteen: folk songs from decades past as he releases an album of songs culled from the Pete Seeger catalogue.

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Bob Dylan once went electric. This is Springsteen going eclectic.

"The songs have lasted 100 years, or hundreds of years, for a reason," Springsteen explains in a spartan dressing room after rehearsing with his new big band. "They were really, really well-written pieces of music.

"They have worlds in them. You just kind of go in — it's a playground. You go in, and you get to play around."

"We Shall Overcome: The Seeger Sessions" arrives Tuesday, with a tour to follow (including a trip to New Orleans for the Jazz and Heritage Festival). Springsteen, still damp with perspiration from his rehearsal, sat backstage for a 40-minute interview with The Associated Press that covered his musical past, present and future.

The new album is Springsteen's most sonically surprising since the spare "Nebraska" in 1982. Springsteen compares its variety with his second album, "The Wild, The Innocent and the E Street Shuffle," where the music veered from straight rock ("Rosalita") to jazz ("New York City Serenade") to oompah ("Wild Billy's Circus Story").

Leaning back on a couch, Springsteen said he was intent on getting out more music, including a group of songs already written for the E Street Band and a follow-up to "Tracks," his collection of unreleased studio cuts. He was working on the latter before deciding to do the new record.

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"After a long time, you get a lot more secure about what you're doing," Springsteen said between sips from a bottle of water. "I spend much less time making decisions. Incredibly less.

"It used to be, like, there's a line in a song that I sang a certain way. I might mull it over for three days. Maybe longer, right? Now, you know, it's very different. I realize it's not necessary. You know your craft better."

"The Seeger Sessions" featured Springsteen making an album in record time. The rock hall of famer, who in the past went years between releases, did the new album in three days. The 13 songs, plus two bonus tracks, were recorded inside the living room of a farm house at Springsteen's New Jersey home — with the horn section playing in the hall.

There were no rehearsals, no arrangements, no overdubs. Springsteen wasn't even sure if the results would become an album.


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