Some view new Superman as Christ figure

The premise of the new Superman movie alone has fueled speculation that it’s wearing its biblical comparisons on its long, tight sleeve. Superman, in the film, returns to Earth after a long absence, a narrative that’s been likened to Jesus’ death and resurrection.

Meanwhile, news reports that “Passion of the Christ” star James Caviezel was originally in the running for the lead role in “Superman Returns,” which eventually went to Brandon Routh, convinced others that the film’s makers were playing up the New Testament comparisons.

Moviegoers who enter the theater looking for Christian imagery are unlikely to be disappointed. At one point, Superman sustains a stab wound reminiscent of the spear jabbed in Christ’s side by a Roman soldier. In another scene, Routh poses with his arms outstretched as though crucified.

Not everybody welcomes the Superman-Jesus comparisons.

“It’s a misrecognition,” said Amy Pedersen, who is writing her doctoral thesis in art history at the University of California, Los Angeles, on superhero comic books.

Pedersen said Jerry Siegel and Joe Shuster, who introduced Superman in 1938 in a comic book, were Jews who were inspired by the Old Testament story of Moses and the supernatural golem character from Jewish folklore.

The Christian allusions are recent innovations that compromise the integrity of the Superman myth, she said.

“This does not need to be a consistent cultural form from its beginning to its present, but something has to be maintained,” Pedersen said.

More like Moses
“Superman Returns” director Bryan Singer said the notion of Superman as a messianic figure is simply another case of contemporary storytelling borrowing from ancient motifs.

Singer, who is Jewish, said his neighbors’ Christianity played a powerful role in the community where he grew up.

“These allegories are part of how you’re raised. They find their way into your work,” he said. “They become ingrained in your storytelling, in the same way that the origin story of Superman is very much the story of Moses.”

It’s unlikely that studio executives, conscious of the size of the Christian audiences that were coaxed into theaters by the biblical echoes in “The Lion, the Witch, and the Wardrobe,” would discourage religious associations.

“The way in which the Christian population can get behind a movie that they can agree with is a huge push financially,” said Skelton, who also distributes bible-study kits that draw scriptural lessons from classic television episodes. “It’s a smart move in terms of attracting an audience.”

At the same time, Superman is fixed firmly enough in popular secular culture so that the religious accents are unlikely to alienate a mainstream audience, said Craig Detweiler, who directs the film-studies program at Fuller Theological Seminary in Pasadena.

“Just like Jesus, in some ways (Superman) transcends parities and politics and can not be co-opted to serve the narrow interests of others,” he said. “That could be one reason why studios aren’t afraid to let Superman go that way, toward the religious.”

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