As black woman, Rissi Palmer is country rarity

updated 6:48 p.m. ET Oct. 19, 2007

NASHVILLE, Tenn. - Rissi Palmer still laughs about the looks she saw on people’s faces when she stepped on stage in some of Nashville’s honky-tonk bars.

“There’s not a lot of black people in these places, so a lot of times it was like, ’Is it R&B night here? What’s going on,”’ she says.

“But then when they heard our set and what we were doing, they’d say, ’Oh, she’s for real. Wow.”’

As a black woman, Palmer is a rarity in country music. Her song “Country Girl” marks the first time a black female has been on Billboard’s Hot Country chart since Dona Mason’s “Green Eyes (Cryin’ Those Blue Tears)” peaked at No. 62 in 1987.

In the song, the Pittsburgh-born and St. Louis-reared singer proclaims that being a country girl is a state of mind, not a product of geography.

The tune is off her self-titled debut album that comes out Oct. 23. It’s a glossy collection of country-pop on which Palmer co-wrote nine of the 12 tracks, but so far the attention has been less on the music than on the novelty of a black woman singing country.

“I’m hoping that once the album releases and people have time to hear it and live with it and I’ve done some touring and everything that it won’t be a question anymore,” she says. “I totally look forward to the day when it’s, ‘So Rissi, tell me about the album’ as opposed to ‘You’re black. Tell me how that feels.’ ”

She’s not looking for favors, she says, just a fair shot. She recalls how Nashville music executives would gush over her demos, then back off when they discovered she was black. Palmer doesn’t blame racism, just the realities of the market.

“It was a question of, ‘Is this marketable? Is this something country listeners will buy into?’ ”

Few black country stars
Despite its roots in blues and gospel, country music may be the whitest of musical genres. Aside from Charlie Pride, it’s tough to name a single black country star. Harmonica wizard DeFord Bailey was a Grand Ole Opry favorite, but that was back in the ’20s. Ray Charles had success on the country charts, but country wasn’t his primary milieu. More recently, country rapper Cowboy Troy made waves, but radio treated him more as a novelty than a legitimate hitmaker.

“Why so few black artists have penetrated the country charts is really a mystery,” says Michael Gray, a historian at the Country Music Hall of Fame and Museum.

Gray suspects part of the reason is that relatively few blacks have gravitated toward the genre, which was segregated and marketed to white audiences when it was first commercialized in the 1920s.

Yet the influence of black music and black musicians on country stars is obvious and well-documented, from Jimmie Rodgers to Bob Wills, Hank Williams, Bill Monroe and Elvis Presley.

Palmer grew up hearing country around the house and never thought it odd that she should like it — until she became a teenager.

“A lot of times when I pulled into the high school parking lot I’d turn the music down or turn it to a different station,” she says.

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